Folklore Napa

Limited edition on glacial blue vinyl. Iron & Wine's Who Can See Forever is an accompanying live record to the film of the same name. Captured at Haw River Ballroom in Saxapahaw, North Carolina, the soundtrack features nineteen songs from the twenty plus year career of singer-songwriter Sam Beam. Having found inventive ways to re-invent his catalog live over the years, Who Can See Forever offers new and fresh versions of Iron & Wine songs including "The Trapeze Swinger", "Boy With a Coin" and "Naked As We Came." The film - initially intended as a live concert film - evolved into a visual portrait capturing Beam during a creative outburst that earned him four Grammy nominations in four years. Like his music, the film touches on universally personal themes as Beam juggles being an artist, husband and father. Taken as one, the soundtrack and film are a fascinating first-time glimpse behind-the-scenes of Iron & Wine.

10th Anniversary Expanded Deluxe Edition of The Marshall Mathers LP2. It features 11 bonus tracks, including B- sides and instrumentals. Originally released on November 5, 2013, the album serves as a sequel to The Marshall Mathers LP released in 2000. It features the singles “Berzerk,” “Survival,” “Rap God,” “Headlights” and “The Monster,” which reached #1 on the Billboard Hot 100. The album won Eminem a record sixth GRAMMY Award for Best Rap Album and is now certified 4x platinum. 4 LP set on 180g black vinyl.

The 2LP 180-gram black audiophile vinyl reissue features the album cut at 45 rpm for the first time ever from the original analog tape by Chris Bellman at Bernie Grundman Mastering in 2023 and a bonus 24” x 12” poster of the complete cover art.

Entitled Rebel Diamonds, the album of highlights features 20 tracks, including the modern-day classics “Mr. Brightside,” “When You Were Young,” “All These Things That I’ve Done,” “Human,” “Read My Mind” and at least one song from each of the band’s seven studio albums. The album also carries through to the band’s most recently released, critically lauded single, “Your Side of Town,” and includes a brand-new anthem ready to be sung at festivals across the world called “Spirit.” The album is a curated dive into an impressive catalog of songwriting and musicianship – one that has solidified the band as one of the most important voices in rock n’ roll over the last two decades. 2 LP set on standard black vinyl in a gatefold jacket. Doubled-sided 11 x 11 photo collage insert included.

The surprise companion to The National’s April release First Two Pages of Frankenstein, Laugh Track is the band’s most freewheeling, all-hands-on-deck album in years. If Frankenstein represented a rebuilding of trust between group members after 20+ years together, the vibrant, exploratory Laugh Track is both the product of that faith and a new statement of intent. Reveling in the license to radically upend its creative process, The National honed most of this material in live performances on tour, and captured those invigorated versions in impromptu sessions at producer Tucker Martine’s Portland studio. Two nights later in Vancouver, the nearly eight-minute album closer “Smoke Detector” was recorded during soundcheck, completing a body of work bristling with spontaneity and vintage rock energy that makes a perfect complement to the songs found on its more introspective predecessor.

In This Moment’s eighth studio album, produced by Kane Churko and Tyler Bates. Featuring lead single “THE PURGE.”  

The follow-up to the album containing the GRAMMY® Award-nominated single “The In-Between.”

Global icon and recent Rock & Roll Hall of Fame inductee, Dolly Parton, has joined forces with some of rock music’s most legendary artists along with today’s biggest stars for her first-ever rock album, Rockstar. The ever-evolving Parton teamed up with an all-star roster of musicians for the 30-song collection which includes 9 original tracks and 21 covers of iconic rock anthems.

On Before And After, Young chooses favorites from his playbook like a trip into his music history and performs them mostly alone on a solo acoustic journey. Each of the songs blend into each other and morph with mesmerizing clarity into a continuous flow of music creating a 48-minute pure and intimate listening experience. The 13-track album spans Neil’s career, from Neil’s early Buffalo Springfield contribution, "Burned" (1966) to the recent "Don't Forget Love"(2021) and includes the previously unreleased song “If You Got Love”.
 
As Neil put it on his NYA site:
Songs from my life, recently recorded, create a music montage with no beginnings or endings. The feeling is captured, not in pieces, but as a whole piece. Only for listening.

Split-coloured vinyl & printed lyrics. "Run the Jewels - Hip-hop's preeminent collaboration between veteran rhyme-slayers El-P and Killer Mike have gone from a whim-driven underground rap project to a worldwide sensation since the release of their 2013 debut Run The Jewels. Mixing the industrial grime of New York City with the vibrant bounce of the dirty South, they forge hip-hop's future while adhering to the core tenets of it's bedrock: gymnastic displays of skills, incendiary political rhetoric, merciless braggadocio, battle-honed assholery, R-rated punchlines and a back-and-forth that brings the interplay of the shell-toe Adidas era screaming into our contemporary nightmare.Tearing up the music industry rulebook, their self-titled 2013 debut was originally released through a series of website-crashing free album downloads. Featuring Outkast's Big Boi on Banana Clipper and Prince Paul on Twin Hype Back, it's a "rough and rabid ride"; a "swaggering victory lap for two artists at the peak of their creativity"; and been dubbed "one of the best hip-hop records of 2013"." Now available in a special 10th anniversary edition with the original and instrumental album, packaged in a double gatefold sleeve with split-coloured vinyl.

Nicki Minaj releases her new album Pink Friday 2 on December 8, 2023. Electric Blue LP.

Back To Moon Beach is an EP by no one’s definition but Kurt Vile’s. For Kurt, this collection is an expression of just how deep his well of non-album material runs. This includes six tracks culled from various sessions over the last four years, and represents a wide swath of the inspirational musical community Kurt surrounds himself with. Indie Exclusive Coke Bottle Clear LP. (Verve Records)

Big Big Love is the first single from the eponymous album that is a mantra for embracing humanity with kindness.  The single will be released in conjunction with the Michael Franti & Spearhead tour date celebrating a return to Red Rocks on June 2.  Franti announced the US Big Big Love tour on January 31 which launched May 13 and runs through August 20.

Michael Franti is a globally recognized musician, humanitarian, activist, and award-winning filmmaker revered for his  high-energy live shows, inspiring music, devotion to health and wellness, worldwide philanthropic efforts and the power of optimism.  Throughout his multi-decade career, Franti has earned three Billboard No. 1's with triumphantly hopeful hits "Sound of Sunshine," "Say Hey (I Love You)," and "I Got You," as well as sic Top 30 Hot AC singles, 10 Top 25 AAA singles and three Billboard Top 5 Rock Albums.  

Michael Franti & Spearhead continue to foster their community both on and off stage with a wish granting non-profit, Do It For The Love, founded by Franti and his wife, Sara.  Do It For The Love brings those with life threatening illnesses, veterans, and children with severe challenges to concerts worldwide, fulfilling over 3,300 wishes and touching the lives of over 12,000 people to date.  Franti also owns SOULSHINE Bali, a 32-room top-rated boutique retreat hotel located in Ubud, Bali.

Opaque White Standard LP (indie exclusive). ANTI- Records is honored to share a never-before-heard album by Mark Linkous of Sparklehorse titled 'Bird Machine.' Originally recorded in 2010 and mixed by Mark Hamilton (who also worked on 'It's A Wonderful Life'), Mark's brother Matt notes "great care has been taken to archive and preserve Mark's music. We are very thankful for Mark and the beauty he brought to this world."Sparklehorse was an American indie rock band formed by singer-songwriter and multi-instrumentalist Mark Linkous in the mid-1990s. Born on September 9, 1962, in Arlington, Virginia, Linkous began playing music as a teenager.Described as an artist who "compelled listeners to heed the beauty of darkness" by Pitchfork, Sparklehorse released many influential records, including the renowned albums 'Vivadixiesubmarinetransmissionplot' and 'Good Morning Spider' in the '90s, 'It's A Wonderful Life' and 'Dreamt for Light Years in the Belly of a Mountain' in the early aughts, and a collaborative album 'Dark Night of the Soul' released in 2010.Throughout his career Mark collaborated with thought provoking artists like Vic Chesnutt, Daniel Johnston, Tom Waits, Danger Mouse, and David Lynch.While Mark recorded in various studios, collaborating with other musicians and producers, he did much of his work in his home studio, Static King, often playing and recording everything on his own. He was "very much kind of a working-class guy with a very poetic sensibility, who was drawn to artists like himself, who worked in isolation, " said NPR Fresh Air's Ken Tucker.Sadly, Linkous struggled with drug addiction and depression throughout his life, and despite his untimely death, his music continues to be highly regarded and influential in the indie rock and alternative music scenes.

Everything Will Change is the new live album by indie-pop legends The Postal Service. The album documents The Postal Service's performance at the Greek Theater in Berkeley, CA during their 2013 reunion tour. (The same show was featured in the 2014 feature-length documentary concert film of the same title.) This is the first time the show has been released on CD and vinyl, and the album features "Never Enough Time," which did not appear in the original video release. A collaboration between Benjamin Gibbard (of Death Cab for Cutie) and Jimmy Tamborello (from Dntel), with Rilo Kiley's Jenny Lewis, The Postal Service released Give Up, their one and only album, in 2003. That record went on to sell over a million copies and most of the band's fans never had the chance to see them perform live. In celebration of the 10-year anniversary of Give Up, the band reunited to tour the world. Everything Will Change captures one of the nights when everything did change.

‘Atomic City’, the brand-new track from U2, is produced by Jacknife Lee and Steve Lillywhite and comes alongside the band’s run of dates at the Sphere in Las Vegas. This Limited Edition Photoluminescent Transparent 7’’ Vinyl includes the original song alongside an etching on the B-Side.

10th anniversary deluxe edition of Mac Miller's second studio album Watching Movies with the Sound Off on heavyweight galaxy vinyl. Includes a bonus 10" zoetrope picture disc with bonus track "The Star Room (OG Version)" and a never before released vinyl exclusive track "The Quest."

Busta Rhymes returns with his eleventh studio release executive produced by Pharrell Williams, Timbaland, Swizz, along with Busta himself.  The new album contains lead off singles “Beach Ball” featuring BIA, “Luxury Lifestyle” featuring Coi Leray, and “OK” featuring Young Thug along with a host of other features.

Green Day is not your savior. 
 
But the spirit of rock n roll might be. And as the greatest punk band alive, they’re the loudest vessel we have… to give it a shot.
 
Green Day are ready to flip off the famous, stupid and contagious, by putting a mirror to the present tense like only they can, with Saviors — an inspired new studio album to be released in early 2024. 
 
Amazingly, Saviors represents Green Day's 14th studio album, yet somehow this enduring power trio -- Billie Joe Armstrong, Tré Cool & Mike Dirnt -- remain devoted to their defiant craft that has fueled their career-long destruction of every boundary bestowed on the genre, and landed 3 East Bay punks in the Rock n Roll Hall of Fame.
 
The album was recorded in both London and Los Angeles under the audacious ear and Rock prowess of Green Day's longtime friend & collaborator, GRAMMY® Award-winning producer Rob Cavallo. 

David Gray's 'White Ladder Live' celebrates of the 20th anniversary of the record breaking album. Recorded at Austin City Limits Live, at the Moody Theater, this live version will also feature four live covers including Soft Cell's "Say Hello, Wave Goodbye," "Tainted Love," and David Bowie's "Life On Mars," and "Oh! You Pretty Thing." 'White Ladder Live' offers the magic of David Gray's masterpiece in a new light.

Sleater-Kinney returns with Little Rope, one of the finest, most delicately layered records in the band’s 30-year career. On the surface, Little Rope's ten songs veer from spare to anthemic, catchy to deliberately hard-turning. But beneath that are perhaps the most complex and subtle arrangements of any Sleater-Kinney record, and a lyrical and emotional compass pointed firmly in the direction of something both liberating and terrifying: the sense that only way to gain control is to let it go.

Misfits & Mistakes: Singles, B-sides & Strays 2007–2023 is Superchunk’s fourth singles compilation, a massive, 4-LP (or 2-CD) collection covering their triumphant return from hiatus. The amount of ground covered within its gorgeous packaging is staggering: 50 songs, 16 of which are on physical media for the first time, sourced from out-of-print releases, digital singles, compilations, and more—a vital piece of the Superchunk canon.

Featuring extensive liner notes by Mac McCaughan (with additional notes from Laura Ballance), Misfits & Mistakes tells the story of each release, from why they chose to cover songs by The Misfits, The Cure, Destiny’s Child, and Bananarama, to working with collaborators like Katie Crutchfield (Waxahatchee), Jane Wiedlin (The Go-Go’s), Eleanor Friedberger, Damian Abraham (Fucked Up), Norman Blake and Raymond McGinley (Teenage Fanclub), and more!

Mac writes:

Who knew it would take a cartoon hamburger to kick off a new period of activity for Superchunk? When we recorded “Misfits and Mistakes” for the Aqua Teen Hunger Force soundtrack at Overdub Lane in Durham, we also recorded the first version of “Learned to Surf” which gave us an on-ramp for making new music after 8 years of playing sporadic gigs. It also reminded us what we liked about playing Superchunk songs, whether they’re our own or written by our musical heroes.

This collection covers a lot of ground, from heavy touring years to a pandemic where we made singles and an album at home. One difference between this comp and our first three is that this time span completely falls in the digital age; the distance from a final mix to everyone hearing it is shorter than ever. I’ve always liked artists that were prolific—throwing out singles in between albums when you least expect it. A surprise release from your favorite band is one of the few things that can still bring a little excitement to what can seem like an endless deluge of “content” (puke). Hopefully the wild swings between lo & hi fi and originals and covers on this comp still allow for some coherence and, more importantly, convey what’s FUN about this punk rock thing.

The 4-LP set comes packaged in a slipcase with two exclusive 18” x 24” posters, and the 2-CD set includes a full-color 28-page booklet.

“New Blue Sun is the continuation of discovery for me. My entire career has been fueled by this and it is the only thing that keeps me honest. This album is the most honest and interesting offering I can give today. I never could have imagined in high school, when I started rapping and doing music that I would be here right now playing wind instruments. Ha. This life ride always surprises me. I’m here for it.” — Andre 3000

This limited edition 3-LP vinyl is pressed on 180g black vinyl with fold out poster, printed inner sleeves and note from the artist.

What Do We Do Now is the fifth solo studio LP recorded by J Mascis since 1996. This is obviously not a very aggressive release schedule, but when you figure in the live albums, guest spots, and records done with his various other bands (Dinosaur Jr., The Fog, Heavy Blanket, Witch, Sweet Apple, and so on), well, to paraphrase Lou Reed, “J's week beats your year.”

What Do We Do Now began to come together during the waning days of the Pandemic. Utilizing his own Bisquiteen Studio, J started working on writing a series of tunes on acoustic with a different dynamic than the stuff he creates for Dino. “When I'm writing for the band,” he says, “I'm always trying to think of doing things Lou and Murph would fit into. For myself, I'm thinking more about what I can do with just an acoustic guitar, even for the leads. Of course, this time, I added full drums and electric leads, although the rhythm parts are still all acoustic. Usually, I try to do the solo stuff more simply so I can play it by myself, but I really wanted to add the drums. Once that started, everything else just fell into place. So it ended up sounding a lot more like a band record. I dunno why I did that exactly, but it's just what happened.”

Two guest musicians are playing this time out; Western Mass local Ken Mauri (of the B52s) plays piano on several tracks. Since J himself has some experience with keys, when asked why he needed a hired gun, he says, “Ken is great, and he plays all the keys. I tried playing some keyboards on the first Fog album, but I'm really only comfortable playing the white notes, so it's kind of limiting. [laughs] Nowadays, I could just turn the pitch on a mini Mellotron to play different sounds, but black keys just seem hard. For whatever reason, I just like banging on the white ones. Seems like it's harder to figure out how to stretch your fingers around the other ones.”

Mauri has no such qualms and plays all the keys very damn well. He sounds especially great on “I Can't Find You,” where he is Jack Nitzsche to J's Neil Young, creating one of the album's loveliest tunes. The other guest musician, Matthew “Doc” Dunn, is also prominent on this track. Dunn's steel guitar manages to both widen and soften the musical edges of the music, giving it a full classicist profile. Dunn is an Ontario-based polymath who J met through Matt Valentine. After J played on Doc's great 2022 Sub Pop single, “Your Feel,” he figured it was time for payback. Both Dunn and Mauri add beautifully to the songs here, helping to transform them from acoustic sketches into full-blown post-core power ballads.

What Do We Do Now is the finest set of solo tunes J has yet penned, and the way they're presented is just about perfect. Asked if he would be touring to support the album, J says he'll be doing some weekend dates, but he probably won't be putting a band together. And I'm sure these songs will sound great solo and acoustic, but the arrangements on this album are truly great and put a cool, different spin on Mascis' instantly recognizable approach to making music.

So, what do we do now? Not sure. But apparently, what J does is to make one of his most killer records ever. Hats off to him.

–Byron Coley

Legendary indie-rock band Grandaddy has announced a brand new studio album Blu Wav set for release February 16, 2024 via Dangerbird Records. A prolific storyteller, Jason Lytle is inspired by the overwhelming beauty of nature to the mundane moments that spark life’s strongest memories. Introducing pedal steel into the band’s repertoire for the first time, buoyant lead single “Watercooler” comments on the dichotomy of both. It was inspired by having his own outdoorsy rock guy (in both senses of the word) lifestyle while his partner had an office job. Lytle shares, “Most of my relationships have involved girls who worked in office settings. This song is about the end of one, or perhaps a few, of those relationships. Listeners will also notice the pedal steel on this track and eventually on many others from the forthcoming new album. It’s a first for Grandaddy, and I couldn't be more thrilled about this fact.” With the album title Blu Wav meant to be a literal mash-up of “bluegrass” and “new wave”, the new collection has a distinct feel, a uniform vibe, and a somewhat unexpected sound. It was conceived as Grandaddy maestro Jason Lytle was driving through the Nevada desert, and Patti Page’s "Tennessee Waltz" came across the classic country station on the radio. He was immediately intrigued by the possibilities of what it might sound like to keep the slow sway and sweet, simple lyrics of the bluegrass waltz while adding layers of dense synthesizers and the electronics of new wave. It incorporates the lo-fi lushness and sometimes-psychedelic orchestration Grandaddy is known for with Lytle’s first foray into true country. Seven of its 13 songs are waltzes, and as Lytle notes, “there’s an inordinate amount of pedal steel.” Grandaddy recently celebrated their legacy with a series of 20th anniversary reissues including the acclaimed Sumday Twunny box set which earned a Pitchfork ‘Best New Reissue”. Lytle also contributed vocals to a posthumous Sparklehorse album by request of his friend and fellow psychedelic pop auteur Mark Linkous’ family. Grandaddy has released five official LPs, most recently 2017’s Last Place. Grandaddy members include Jason Lytle, Aaron Burtch, Jim Fairchild, Tim Dryden, and the late Kevin Garcia, who passed away in 2017.

Green Day’s third studio album Dookie was released in February 1994, and has since sold over 15 million copies worldwide, including 10 million in the US (RIAA Diamond certified). The album is an iconic punk-rock-pop masterpiece and one of the most influential and defining albums of the 1990’s. It spawned five hit singles that are still hugely popular songs: “Longview”, “Basket Case”, “Welcome to Paradise”, “When I Come Around”, and “She”.

Limited Edition Super Deluxe Box Sets (vinyl and CD) will be released on September 29, 2023, to celebrate the 30^th Anniversary of this landmark album.

In addition to the original album, the super deluxe box sets will include a wealth of rare and unreleased material. The legendary Woodstock ’94 performance is included – previously released as a very limited Record Store Day vinyl release. The 6 LPs (or 4 CDs) also feature 17 unreleased demos, 6 studio outtakes (3 unreleased), and a 17-track unreleased club show from Barcelona in 1994.

The deluxe vinyl box features the six LPs pressed on 6 different varieties of brown vinyl, plus a 36-page 12” x 12” book. The box also includes many fun memorabilia items inspired by the “Dookie” artwork: Doggie Poop Bags, Air-Freshener, Poster, Color-in litho, Button Set, Magnet Sheet, Postcard, Bumper Sticker and Paper Plane.

The CD box includes 4 CDs (the same audio content as the vinyl box), 48-page book, Button Set, Air-Freshener, Magnet and two stickers.

Timeless. Explosive. Romantic. Inspiring. How else to characterize Blue Electric Light, Lenny Kravitz’s 12th studio album? Kravitz’s mastery of deep-soul rock ‘n roll is a long-established fact. As a relentless creative force—musician, writer, producer, actor, author, designer—he continues to be a global dynamic presence throughout music, art and culture. Blue Electric Light is an impassioned suite of songs, that broadens this distinction and is the latest contribution of a man whose music—not to mention his singular style—continues to inspire millions the world over. On the album, Kravitz's talents as a writer, producer and multi-instrumentalist resonate as he wrote and played most of the instruments himself, with longtime guitarist Craig Ross. Lenny Kravitz has won four GRAMMY® Awards and sold 40 million worldwide. He was recently recognized by the CFDA with their “Fashion Icon Award” and was also selected as a 2023 Hollywood Walk of Fame inductee.

Following it’s surprise digital release, Sigur Rós’ first new studio album in ten years, ÁTTA, is their most intimate and emotionally direct record to date. Few bands cut through the noise and distractions of the world to bring you a pure elemental truth or feeling like Sigur Rós. As you hear on ÁTTA, there’s a new compulsion and drive to the band that comes with the new formation of the line up. Multi-instrumentalist Kjartan Sveinsson is back in the fold – having left the band in 2012 – to join frontman Jónsi and bassist Georg Holm. Recorded across multiple continents - in the band’s Sundlaugin studio in Iceland, the legendary Abbey Road in the UK and a number of studios in the US - ÁTTA leans heavily towards the orchestral, and touches on everything that has made Sigur Rós one of the most ambitious and acclaimed bands of recent times, with close to ten million albums sold, whilst signposting an exciting and expansive possibility for their future. ÁTTA prominently features the London Contemporary Orchestra conducted by Robert Ames, alongside brass performed by longtime Icelandic collaborators Brassgat í bala. It is mixed and co-produced by another frequent collaborator Paul Corley, alongside the band."

2023 Marks forty years since Tom Waits released Swordfishtrombones, ushering in a new and critically acclaimed musical era for Waits and his longtime songwriting and production partner, Brennan. Waits went from ‘70’s-era “bluesy, boozy” wordsmith and melodist with seven albums behind him to sound sculptor, miner of the subconscious, abstract orchestrator, sonic cubist—while retaining his innate lyricism, melodic invention, humanity. As he put it in a 1983 interview: “I tried to listen to the noise in my head and invent some junkyard orchestral deviation—a mutant apparatus to drive this noise into a wreck collection.”  It’s a Waits-arranged pastiche, a variety of atmospheres from different sound planets. There is the warped, marching-army-ants music of “Underground,” an impressionist chant about people living below cities, but there was also the poignancy of the spare piano ballad, “Soldier’s Things,” the good bar yarn, “Frank’s Wild Years”, the tender, minimalist paean to Waits’ wife and muse, Kathleen, “Johnsburg, Illinois,” and the raggedy anthem to neighborhood chaos, “In the Neighborhood.”

“On Swordfishtrombones, Waits has made a breakthrough – he’s found music as evocative as his words. Waits’s grumble of a voice now bounces off a peculiar assortment of horns and percussion and organ and keyboards, as if he’d led a Salvation Army band into a broken-down Hong Kong disco. It’s as if he’s shifted from monologues to screenplays…” – Jon Parales January 1984 – GQ Magazine

The album is newly remastered for the first time ever from the original EQ’ed ½” production master tape and personally overseen by Tom Waits and Kathleen Brennan. Mastered by Chris Bellman at Bernie Grundman Mastering under the guidance of Waits’ longtime audio engineer, Karl Derfler. The album packaging has also been restored. Available as a CD digipack.

Noted as Tom Waits’ most critically acclaimed album, Rain Dogs follows the new musical path Waits had taken with Swordfishtrombones. Considered the middle of a de facto trilogy with Swordfishtrombones and Franks Wild Years, Rain Dogs is the first of Waits’ albums to be written in New York, in a Lower Manhattan basement. A 53-minute, 19-track monster, Rain Dogs is a kind of mutant, late 20^th century musical “Canterbury Tales” with a shape-shifting band. There are banjos and marimbas and bowed saw and parade drum and howling horns (and Keith Richards and Marc Ribot) on this rollicking, rough-hewn opus—and Waits, using his voice in increasingly weird-and-wild ways. The songs are stories, sagas, laments, breakdowns, character studies, comedies and cabaret numbers. There’s the aching “Hang Down Your Head,” and the moving anthem, “Downtown Train,” which was covered by Patti Smith and Rod Stewart.

Waits coined the term, “rain dog,” a reference to dogs who lose their way when touchstone scents are washed away in storms. Among the lost dogs on the album: gruff, wandering merchant marines (“Singapore”), an accordion player in a slaughterhouse (“Cemetery Polka”), a “jockey full of bourbon” (also the song title), an abandoned, withdrawn woman (“Time”), a “gun street girl,” the old drunks and hustlers of Union Square, and even Waits, himself: Aboard a shipwreck train / Give my umbrella to the Rain Dogs / For I am a Rain Dog, too...

Originally released in 1985 on Island Records, the album is newly remastered for the first time ever from the original ½” flat master tape and personally overseen by Tom Waits and Kathleen Brennan. Mastered by Chris Bellman at Bernie Grundman Mastering under the guidance of Waits’ longtime audio engineer, Karl Derfler. The album packaging has also been restored. Rain Dogs includes tracks such as “Downtown Train,” “Clap Hands” and “Jockey Full Of Bourbon.” Available as a CD digipack.

Originally released in 1987 on Island Records, Franks Wild Years is Tom Waits’ 10th studio album. Titled for a play of the same name and authored by Waits and his wife, Kathleen Brennan, Franks Wild Years was performed by Chicago’s Steppenwolf Theatre Company in 1986. Franks Wild Years is an iteration of the track “Frank’s Wild Years” from Waits’ 1983 album Swordfishtrombones.

The album divides the story neatly into two acts and although titled “un operachi romantic”, there is no opera in Franks. There is a hilarious touch of operatic styling by Waits himself in the song “Temptation.” His vocal character varies wildly throughout the work’s 17 songs, and is no more impressive than when the gruff, growly singer turns to impeccable Sinatra-esque phrasing on the Vegas number, “Straight To The Top.” While Franks featured a 14-member cast on stage, the album is all-Waits—yet suggests a multitude of characters by virtue of his chameleon vocals. The album is a startling group of lost dreams, bad dreams, dreams that might not even be dreams. The music is nightmarish, ethereal, beautiful. Think broken calliopes played by genius children, horns played at dawn in a graveyard, banjos leaking through practice room walls. Titles evoke Frank’s dime-store Odyssey:  “Straight To The Top,” “Blow Wind Blow,” “Temptation,” “I’ll Be Gone.”  NME ranked the work the number five album of 1987.

Newly remastered for the first time ever from the original ½” flat master tape and personally overseen by Tom Waits and Kathleen Brennan. Mastered by Chris Bellman at Bernie Grundman Mastering under the guidance of Waits’ longtime audio engineer, Karl Derfler. The album packaging has also been restored. Franks Wild Years includes tracks such as “Cold Cold Ground,” “Way Down In The Hole” – versions of which were used as the theme music of HBO’s series The Wire –  and “Temptation.” Available as a CD digipack.

The album, Africa Unite, portrays two worlds colliding from a whole new generation of Afro-fused musicians reinterpreting Bob Marley's classic songs. As the name suggests, unity is at the heart of the album, and that is without a doubt the focus. Featuring Nutty O, Winky D, Rema, Skip Marley, Ami Faku, Tiwa Savage, Afro B, Teni, Oxlade, Stonebwoy, Sarkodie, Arya Starr and Patoranking. Available on black vinyl.

Brad is Stone Gossard of Pearl Jam, Regan Hagar of Satchel/Malfunkshun, Shawn Smith (Pigeonhed and Satchel) and Keith Lowe.

'In The Moment That You're Born' features 10 never released songs, and all the lyrics were solely written by the late Shawn Smith, exception made for Stars N’ You, (originally written by Andy Wood of Mother Love Bone and Malfunkshun for the Deep Six Compilation). Barrett Jones plays piano on "Meadow in Autumn", while Hans Teuber plays horns and keys on various other tracks. The album was self-produced by Brad, and recorded and mixed by Floyd Reitsma at Studio Litho in Seattle (except for "In The Moment That You're Born," which was mixed by Josh Evans). The artwork was cured and crafted by Regan Hagar with the addition of pictures taken by Lance Mercer.

GRAMMY-winning band Greta Van Fleet consists of 3 brothers – Josh Kiszka (vocals), Jake Kiszka (guitar) and Sam Kiszka (bass/keyboards) – as well as Danny Wagner (drums). Together, they have performed across multiple continents, sold over 3.5M records and 1M tickets worldwide. Their much anticipated 3rd studio album Starcatcher, produced by Dave Cobb (Chris Stapleton, Brandi Carlile) and recorded at RCA Studios in Nashville, is set for release via Lava/Republic Records. Indie Exclusive White/Glitter LP.

Since announcing their arrival with debut album in 1991, Blur went on to revolutionise the sound of English popular music with six successive UK #1 albums and a string of Top 10 singles, including two No 1s, helping to propel the band to mass popularity at home and abroad. One of the biggest British bands of the last three decades, Blur have released eight studio albums and collected ten NME Awards, six Q Awards, five BRIT Awards and an Ivor Novello Award, and played live to millions of devoted fans across the globe.

Whilst they are an iconic band, the new music truly feels like they have re-invented their sound for 2023 and we should really amplify the commercial viability and youthful leaning sound to reach new audiences.

The album is truly incredible body of work which is beautifully layered, with real stand-out singles which is understandably described by the band as one of their best creations.

Taylor Swift -"Speak Now (Taylor's Version) - 3 LP - Taylor Swift's 2010 album "Speak Now" is being re-released on July 7 as "Speak Now (Taylor's Version)." The album will be released as a 3-LP vinyl - [Orchid Marbled 3 LP]

PJ Harvey’s tenth studio album ‘I Inside the Old Year Dying’ marks her first release in seven years, following UK #1 album ‘The Hope Six Demolition Project’. On this album, which was recorded with long-time creative collaborators John Parish and Flood, PJ Harvey builds a sonic universe somehow located in a space between life’s opposites, and between recent history and the ancient past. Scattered with biblical imagery and references to Shakespeare, all of these distinctions ultimately dissolve into something profoundly uplifting and redemptive.

Wild Creatures is a career retrospective album containing twenty-three of Neko Case’s most impactful tracks from her discography, and will now be available on CD and 2x LP.

With a career spanning over twenty years, she has famously collaborated with The New Pornographers and Case/Lang/Veirs in addition to releasing many critically acclaimed solo albums, including ‘Fox Confessor Brings The Flood’, ‘Middle Cyclone’ and most recently 2018’s ‘Hell-On’.

Gathering power year after year, Neko sings with the fierce abandon of a newborn infant crying in a basket in the woods. Since escaping the labels of country and Americana, the gorgeous train-whistle vocals of her early career sit submerged in her later style, where their ghost can appear any minute. When her voice jumps an octave, it’s almost visible, like sparks at night. “I never knew where I wanted to go or what I wanted to do with my voice,” she says, “but I just wanted to do it so bad.”

The Vinyl configurations include: 2 LPs with printed inner sleeves, in a Gate- fold jacket.

Gag Order is an album that finds the GRAMMY-nominated pop star, Kesha, excavating the deepest recesses of her soul to date. The record, which Kesha has labeled “post-pop” and was produced by Rick Rubin, is a full-bodied collection that flows like a stream of conscious journey through the psychedelic dark depths of the human psyche followed by basking in the cleansing light when finally reaching the surface.

“Several times, as I listened to M. Ward’s Supernatural Thing, I asked myself what year it was. Was it 1952, and was I listening to a track from the Harry Smith Anthology? Was it 1972, and was I eavesdropping on the recording session for After the Gold Rush? No, it’s 2023, and M. Ward is one of the special contemporary artists who invite such questions. Ward has clearly mastered the whole vocabulary of American popular music and made serious decisions about how to employ it for his own ends. What Ward shares with Harry Smith’s artists and Neil Young is a context of musical and human values: authenticity and intimacy. Supernatural Thing’s original songs sound freshly pulled from the ground, with a little earth sticking to them. Ward’s lyric delivery has that slight rawness the ear loves, and his voice has quiet dignity and great tenderness. Supernatural Thing is an open-hearted, inviting album. 

The album’s guest stars — First Aid Kit, Shovels & Rope, Scott McMicken, Neko Case, Jim James, others — enliven the album with surprises. On “Too Young to Die,” the women’s voices in First Aid Kit spread a light frosting over the melody, and their Beach Boys-like chorus on “Engine 5” makes the song sound like an instant hit. Eight of the album’s ten songs are Ward originals. There’s an unusual Bowie choice, “I Can’t Give Everything Away” from Blackstar, and a live rendition of Daniel Johnston’s ‘Story of an Artist.’” -By James Cushing

Both as a solo artist and as one-half of She & Him, M. Ward became one of the defining voices of the American indie landscape in the 2000s, earning fans and critical acclaim for his distinctive brand of breezy West Coast Americana which pulled from folk, country, blues, pop, and experimental indie rock elements. Ward established himself with warm, analog-minded releases like 2003’s Transfiguration of Vincent and 2006’s Post-War before joining forces with singer/actress Zooey Deschanel to form the highly successful indie pop duo She & Him in 2008. Over the following decade, Ward split his time between projects, releasing a 2009 album with indie supergroup Monsters of Folk, several high-profile albums with Deschanel including She & Him’s Columbia-issued 2014 set Classics, and critically acclaimed solo releases like 2009’s Hold Time, 2012’s A Wasteland Companion, and 2018’s What a Wonderful Industry. Ward kicked off the next decade with a deeply atmospheric set called Migration Stories and a Billie Holiday covers album Think of Spring most recently.

Produced by “The Great” Jeff Bhasker

Deer Tick’s first new body of work since 2017, Emotional Contracts is their most collaborative to date, and sees all four members operating at peak songwriter power. Produced by Dave Fridmann, the 10-song set features guest musicians like Steve Berlin (Los Lobos) and background vocals from Courtney Marie Andrews, Vanessa Carlton, Kam Franklin, Angela Miller, and Sheree Smith. Deer Tick’s ATO Records debut adds an even greater vitality to their feverish collection of timeless rock-and-roll.

At long last, the classic Steely Dan catalog is back on vinyl. Led by Walter Becker and Donald Fagen, Steely Dan released 7 albums from 1972-1980. The vinyl series continues with Countdown to Ecstasy, the band's sprawling 1973 sophomore LP with standouts such as "Bodhisattva," "Show Biz Kids" and "My Old School." 180-gram vinyl.

Kristian Matsson has never remained in one place for very long. Having spent much of the last decade touring around the world as The Tallest Man on Earth, Matsson has captivated audiences using, as The New York Times describes, “every inch of his long guitar cord to roam the stage: darting around, crouching, stretching, hip-twitching, perching briefly and jittering away...Mr. Matsson is a guitar-slinger rooted in folk, and his songs are troubadour ballads at heart.”

Now, Matsson returns as The Tallest Man on Earth with Henry St., his sixth studio album following 2012’s There’s No Leaving Now, full of “vivid imagery, clever turns-of-phrase, and devastating, world-weary observations” (Under The Radar) and 2015’s Dark Bird Is A Home, his “most personal record... surreal and dreamlike” (Pitchfork). Henry St. notably marks the first time he recorded an album in a band setting. “My entire career I’ve been a DIY person––mostly fueled by the feeling that I didn’t know what I was doing, so I’d just do everything myself.” But now, longing for the energy that’s only released when creating together with others, Matsson invited his friends to come and play.

Nick Sanborn (of Sylvan Esso) produced Henry St., which includes contributions from Ryan Gustafson (of The Dead Tongues) on guitar, lap steel and ukulele, TJ Maiani on drums, CJ Camerieri (of Bon Iver) on trumpet and French horn, Phil Cook on piano and organ, Rob Moose (of Bon Iver, yMusic) on strings and Adam Schatz on saxophone.

But Here We Are is the new album from Foo Fighters, and marks the bands return after a year of staggering losses, personal introspection and bittersweet remembrances. A brutally honest and emotionally raw response to everything Foo Fighters have endured recently, But Here We Are is a testament to the healing powers of music, friendship and family. Courageous, damaged and unflinchingly authentic, the album opens with “Rescued,” the first of 10 songs that run the emotional gamut from rage and sorrow to serenity and acceptance, and myriad points in between.

But Here We Are is in nearly equal measure the 11th Foo Fighters album and the first chapter of the band’s new life. Sonically channeling the naiveté of Foo Fighters’ 1995 debut, informed by decades of maturity and depth, But Here We Are is the sound of brothers finding refuge in the music that brought them together in the first place 28 years ago, a process that was as therapeutic as it was about a continuation of life. 

GRAMMY Award-winning band Greta Van Fleet consists of three brothers – vocalist Josh Kiszka, guitarist Jake Kiszka and bassist/keyboardist Sam Kiszka – as well as drummer Danny Wagner. Together, they have performed across multiple continents, sold over 3.5 million records and 1 million tickets worldwide. Their much anticipated third studio album Starcatcher, produced by Dave Cobb (Chris Stapleton, Brandi Carlile), is set for release on July 21, 2023 on Lava/Republic Records. The album was recorded at RCA Studios in Nashville.

Last year’s Big Time brought Angel Olsen to a deeper, truer sense of self than ever before. Borne from the twin stars of grief and love, the album delivered beautiful sense of certainty, the sure-footed sound of an artist fully, finally at home with herself. But within that wisdom comes the realization that there is no finish line, no destination or static end point to life while you’re living it, and Forever Means collects songs from the Big Time sessions that hold this common theme. They are, in Olsen’s words, “in search of something else.”

“I was somewhere traveling,” says Olsen, “stopped for a few days and wandering the city, and I was thinking ‘what does ‘forever’ really mean? What are the things I’m seeking in friendship or love, and how can ‘forever’ be attainable if we’re always changing?’” Sitting with the reality of that entropy, Olsen realized “maybe the secret to ongoing love is to embrace change as part of love itself, that forever must have something to do with playing, looking, constantly searching things out for yourself, never letting yourself think you’re finished learning or exploring.”

Forever, says Olsen, “remains curious while trying also to be kind and honest.”

All this packs into the four precious songs that comprise Forever Means, songs from Olsen’s roads traveled and the ones ahead. “Nothing’s free / like breaking free” Olsen sings, comfortable with the costs of her clarity, her heart and voice fixed on the present, the future, the not-yet-known and the beautifully unknowable.

Alison Goldfrapp has set a towering bar for British synth-pop in the 21st century and she’s only just getting started. The magnetic London-born singer, songwriter and producer’s seven albums with Goldfrapp were fuelled by an unfailing modernity and a sixth sense for sounds that were more timeless than any trend. With the release of her debut solo album The Love Invention—an electrifying dance-pop suite—her multi-faceted musicianship reaches a new peak.

The Love Invention marks Alison’s reawakening as a dancefloor priestess, in an intoxicating showcase of the disco and house influences that have always been at the heart of her musical DNA. “So Hard So Hot” bottles the ephemeral joy of a dancefloor with its anthemic house beat, disco handclaps, and an exquisitely alluring vocal from Alison. The sense of uninhibited liberation courses through album highlights like “In Electric Blue,” a yearning synth-pop confection with a chorus as blissful as love’s first butterflies. On “Never Stop,” she is flooded with the rush of an all-encompassing love over a buoyant, rubberised beat; the sublime synth-pop of “Fever” is an ode to the intoxicating majesty of the dancefloor, with a chorus that explodes as if setting off a glitter cannon.

A River Running to Your Heart represents the fullest realization of Johnson's creative vision to date. It's a sonically diverse effort that largely explores the importance of what it means to be home, both physically and spiritually. Self-produced by Johnson-a first for Fruit Bats-with Jeremy Harris at Panoramic House just north of San Francisco, A River Running to Your Heart is Fruit Bats' tenth full-length release. The album finds the project in the middle of a people-powered climb leading to the biggest shows, loudest accolades, and most enthusiastic new fans in Fruit Bats history! It's hard to pinpoint a single reason for this mid-career resurgence. But after two decades of making music, hard-earned emotional maturity has clearly seeped into Johnson's already inviting songs, resulting in a sound that's connected with audiences like no other previous version of the band.

Ghost follows last year’s international chart-topping opus IMPERA as intended from the start with PHANTOMIME, a diverse and spellbinding sampling of the GRAMMY Award-winning band’s musical DNA. Featuring covers of classics by Television, Genesis, The Stranglers, Iron Maiden and Tina Turner, PHANTOMIME pays tribute to these unlikely bedfellow influences while stamping them all with Ghost’s undeniable sonic signature.

Closing Time foreshadows the distinctly lyrical storytelling and original blending of jazz, blues, and folk styles that would come to be associated with Waits. It is on this debut album that Waits performs enduring classics of his career “Ol’ 55” (famously covered by the Eagles), the heartbreaking “Martha” and the gentle acoustic folk of “I Hope That I Don’t Fall In Love With You”. Reissued for the first time as a double LP to commemorate the 50th anniversary of the landmark debut with newly half speed mastering at Abbey Road Studios.

Lucky For You is Bully's most close-to-the-bone album yet. It's an album that's searing and unmistakably marked by it's creator's experiences, while still retaining the massive sound that Alicia Bognanno has become known for over the last decade. Her fourth album draws from personal pain and the universal struggle that is existing, learning, and moving on-and it's all soundtracked by Bognanno's rock-solid melodic sensibilities and a widescreen sound that's impossible to pin down when it comes to the textures explored. These ten songs are simply the most irresistible Bognanno's put to tape yet, making Lucky For You her greatest triumph to date in a career already packed with them. Work on Lucky For You began last year, when Bognanno brought some in-progress demos to producer J.T. Daly in his Nashville studio to see if they could strike creative kismet. "Authenticity is always on my mind, without even knowing it," she explains while discussing their recording process together. "It was g

Pushing forward with the intensely self-aware truth-telling he’s always brought to his music, Ruston Kelly immersed himself in the making of The Weakness: a blisteringly honest, but profoundly hopeful album that reveals our potential to create strength and beauty from painful experiences. “I hope this music helps people become the hero of their own lives by understanding their own weaknesses, and I hope it helps them to see that tragedy doesn’t have to be the period at the end of the sentence.”

Dear Reader, About a year or two ago, Naomi Yang (of Galaxie 500) reached out to me after she rediscovered a video that we had made together in 2011, during the making of Tramp, just before the album’s release. It was for the song Serpents. The timing was uncanny, approaching the anniversary of Tramp. Thinking about my time in New York while in the bubble of Los Angeles and my home. Thinking about how restless I was, and now settled down and stable. Thinking about how Aaron Dessner took a chance on me after I messaged him with a fury of demos. He could see through the hiss and crappy vocals on my GarageBand demos, and that I had something to say. He gave me the confidence to be loud and to scream my rage and feel founded and justified in my own pain. He gave me more tools to find catharsis in my work. I have carried that with me ever since. 

Being on the west coast the last two years, I look back on my community in New York and am forever grateful. I had so many friends and peers step up and help me unfold these demos. The album that it became. Doug Keith and Ben Lord from my original touring band, Logan Cole, Peter Silberman from The Antlers, Jessica Larrabee from She Keeps Bees, Thomas Bartlett of Doveman, Rob Moose of yMusic, Jenn Wasner of Wye Oak, Julianna Barwick, Zach Condon of Beirut, Matt Barrick (of the Walkmen), Clarice Jensen, Ben Lanz, Bryce Dessner, and Bryan Devendorf (of The National). 

I had almost forgotten about a song titled "This Is Too Right" that didn’t make it onto the record. It was one of the first guitar “riffs” I had ever written and Jenn Wasner sang on it with me. A song about not believing how good I had it, like the other shoe was about to drop. I hope everyone that helped make this record and supported it, feel the love and admiration that I continue to hold for all of you. I hope that in sharing this record again, with a new video and this forgotten track, that new listeners are brought into this album and find meaning and relevance in it today. All of the musicians on this album helped me come to life and perform in ways I never had before. 

May these songs find you well. Sending all my love, Sharon.

First Two Pages of Frankenstein is The National’s ninth studio album. This 11-song collection signals a new chapter in the band’s discography. Anchored by evocative melodies and an enthralling lyrical narrative, First Two Pages of Frankenstein finds The National sounding more creatively energized than ever and poised to earn them even more fans. The album was produced by the band at Long Pond Studios in upstate New York and features guest appearances by Taylor Swift (“The Alcott”), Phoebe Bridgers (“This Isn’t Helping” and “Your Mind Is Not Your Friend”) and Sufjan Stevens (“Once Upon a Poolside”).

The War And Treaty will release their major label debut, The Lover’s Game, via Mercury Nashville on March 10, 2023. The husband-and-wife team of Michael Trotter, Jr. and Tanya Trotter were recently nominated for Duo/Group of the Year at the 2022 Americana Honors & Awards ceremony. They have amassed a following as eclectic as their sound – a bluesy yet joyful fusion of Southern soul, gospel, country and rock n’ roll. Indie Exclusive Clear LP.

The group's third studio release, Buhloone Mindstate released on September 21, 1993, saw the group evolve into a new sound as they continued to grow stylistically and musically. There were several moments on the album which proved the band had matured. "I Be Blowin'" was a departure as the track was an instrumental featuring saxophone playing by Maceo Parker. The introspective "I Am I Be" showed de la Soul at their most self-referential to date. "Long Island Wildin'" was a collaboration with Japanese hip hop artists Kan Takagi (Major Force) and trio Scha Dara Parr (SDP). The album's first single, "Breakadawn", used a sample of Michael Jackson's "I Can't Help It" and Smokey Robinson's "Quiet Storm". de La Soul collaborated for the first time with Gang Starr's Guru on "Patti Dooke", and female MC Shortie No Mas who was prominent on many tracks on the album and showcased particularly on "In The Woods". The album ended with an old school Biz Markie collaboration called "Stone Age".

Moby’s second album on Deutsche Grammophon following 2021’s Reprise. Digging further into his catalog, Moby has reimagined fifteen of some if his most iconic tracks for his new album, Resound NYC. The album features tracks that he wrote between 1994-2010 while living in New York City, and the new versions feature a vibrant, brass-heavy sound.

Everything but the Girl return in 2023 with the new album Fuse, after a 24-year hiatus. Written and produced by Ben Watt and Tracey Thorn over the spring-summer of 2021, Fuse is a modern take on the lustrous electronic soul the band first pioneered in the mid-90s. Thorn's affecting and richly textured voice is once again up front in Watt's glimmering landscape of sub-bass, sharp beats, half-lit synths and empty space, and as before, the result is the sound of a band comfortable with being both sonically contemporary, yet agelessly themselves.

Over the past 20 years, The New Pornographers have proven themselves one of the most excellent bands in indie rock. They've constantly offered new sonic surprises with every album, and Continue as a Guest is their greatest leap to date. The group's ninth album and first for Merge establishes them alongside modern luminaries like Yo La Tengo and Superchunk when it comes to their ability to evolve while still retaining what made them so special in the first place. A dazzling and intriguing collection of songs that are truly built to last, Continue as a Guest finds bandleader A.C. Newman and his compatriots Neko Case, Kathryn Calder, John Collins, Todd Fancey, and Joe Seiders exploring fresh territory and shattering the barriers of their collective comfort zone.

LP x 2, 140 gram black vinyl in custom printed sleeves in a customer printed jacket. de la Soul quickly became one of the most revered, game-changing artists in hip-hop and forever cemented their legacy in the hearts and minds of fans around the world. Despite their rapid success and recognition, de la Soul continued to prove themselves as one of the most original, authentic and creative groups in hip-hop, with the release of their sophomore album, de la Soul is Dead on May 14, 1991. Featuring once again, the production of visionary producer Prince Paul, their second album further fanned the flames; landing on charts around the world, receiving a five-mic rating in The Source and securing Gold status by the RIAA. To this day, the project is considered one of the groups best albums to date, having left fans with several certified classics like, "A Roller Skating Jam Named Saturdays", "Ring, Ring, Ring (Ha Ha Hey)" and "Keepin' the Faith".

Produced by Sean Ono Lennon and mixed by Dave Fridmann (Beach House, Spoon, The Flaming Lips) , Temples fourth full-length album takes place in an impossibly utopic island dreamed up by the four band members. With its resplendent collage of psychedelia, krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind.

Feist will release Multitudes – the 11-time Juno Award-winning artist’s sixth full-length album and first release since 2017’s critically acclaimed Pleasure – on April 14, 2023 via Interscope Records. Multitudes took shape soon after the birth of Feist’s daughter and the sudden death of her father. Amid meditations on mortality, connection and the frenetic state of the human condition, Multitudes ultimately radiates an ineffable sense of hope. Indie Exclusive Clear LP.

The 8 Mile Deluxe Edition 4LP (180g) is the Official soundtrack to the (Eminem) semi-autobiographical film of the same name; originally released on October 29, 2002. The album debuted at number one on the Billboard 200, and eventually became the fifth best-selling album in the US in 2002. Certified 6x platinum by the Recording Industry Association of America (RIAA). Apart from tracks by Eminem himself, the album also features hard-hitting tracks with Jay-Z, Macy Gray, Boomkat and more..."

Nimrod, Green Day’s fifth studio album, was originally released on October 14 1997. The Billboard Top 10 LP declared “Green Days best!” by Kerrang was driven by the hit singles “Hitchin’ A Ride”, “Redundant”, “Nice Guys Finish Last” and “Good Riddance (Time of Your Life)” the latter of which has sold 5 million copies in the US alone.  The song was written as a spiteful ballad and has evolved into the soundtrack of everyone’s seminal life moments; even being featured in the Seinfeld series finale.  The album has sold over 3 million copies in the US (triple platinum) and has been certified multi-platinum, platinum, or gold in several other countries, including the UK, Japan, Canada, Australia and Spain.

This 25^th Anniversary Edition includes the original album, one disc of previously unreleased Nimrod demos, and a live set from Philadelphia recorded one month after Nimrod was released. 

The 14 track demos disc includes two unreleased Green Day tracks (“You Irritate Me” and “Tre Polka”), plus a cover of the classic Elvis Costello song “Allison” (previously unreleased).

The live album was recorded at The Electric Factory in Philadelphia on November 14 1997. The 20-song set includes several songs from Nimrod, plus fan favorites from their previous albums and singles. 

Recorded at the band's show at the world-famous Wembley Stadium on 6th July 2019, The Who performed many of their greatest hits as well as songs from their acclaimed recent studio album with the help of the Isobel Griffiths Ltd Orchestra, which gave a new perspective to some of their best-loved material.

This release is available as a 2-CD + Blu-Ray containing an Atmos mix of the entire album and a 3-LP black vinyl edition. Both are housed in a trifold sleeve with an extensive booklet containing multiple photos from rehearsals, backstage, and the show.

30th Anniversary Edition of the Cure’s best-selling, Grammy-nominated album ‘WISH.’ Newly remastered by Robert Smith and Miles Showell at Abbey Road Studios. Featuring the hit singles “High,” “Friday I’m In Love,” and “A Letter To Elise”

Featuring four instrumentals taken from the 'Wish' sessions, recorded at the Manor Winter 1991. Strictly Limited to 3500 copies worldwide.

Over the span of two decades, M83 mastermind Anthony Gonzalez has firmly established himself as an artist whose work transcends mere escapism in favor of full-on worldbuilding. Whether it be via his celebrated studio albums, film soundtracks, or compositions for stage productions, Gonzalez has proven that nothing surpasses his ability to perfectly encapsulate a specific time, emotion, or sense of place.

Now with Fantasy, the Platinum selling, GRAMMY nominated artist returns with his most personal album to date. Featuring long-time collaborator Justin Meldal-Johnsen and Joe Berry, M83’s touring keyboardist and sax player, the album was born out of extended jam sessions that lasted nearly a year. The result is an exuberant, live-sounding record where trademark M83 goosebump moments abound.

“Lovage” is defined as “an herb that is said to be a benefit for relieving abdominal pains due to gastrointestinal gas…also touted to reduce flatulence when consumed as a tea.” But when placed in the able hands of sonic mastermind Dan “The Automator” Nakamura, recording under the guise of musical lothario Nathaniel Merriweather, the result is a concept album of “music to make love to your old lady by.” With the help of collaborators such as Mike Patton (vocals), Jennifer Charles (vocals) and Kid Koala (turntables), Merriweather serves as your personal guide to the sensual side of life, painting a satirical, darkly funny portrait of love and sex with left-field hip-hop and instrumentals as only he can do.

Neil Young with Crazy Horse will release World Record on November 18, 2022. It's their second album of new studio recordings within the past 12 months. 

World Record is produced by Rick Rubin and Neil Young, and Neil is accompanied by his longtime band, Crazy Horse (Billy Talbot, Ralph Molina, Nils Lofgren). The album features 10 new Neil Young compositions (plus a short reprise of one song) and was mixed to analog tape at Rubin’s Shangri-la studios using a selection of vintage instruments and equipment. 

To optimize the audio quality, the vinyl format will be released as a 3-sided double album with an etching on side 4. There will also be a limited-edition version of the album pressed on clear vinyl available at indie retailers. 'World Record' will also be released on CD (2 CDs mirroring the track sequence of the double LP) and cassette. 

World Record contains ten songs, nine written during the last year about the events and condition of our world.

In 1969, an up-and-coming band called Ghost, fronted by Papa Nihil, played at the Whisky A Go-Go to celebrate their first release on Galaxy Records. For the 50th-anniversary, they released Seven Inches of Satanic Panic, a 7” single featuring “Kiss The Go-Goat” and “Mary On A Cross,” which promptly sold out. Now, “Mary On A Cross” has become a viral social media moment and a streaming phenomenon. It’s a moment that calls for a new, never-before pressing of the 7” single on purple vinyl.

Grammy Award-winning band Phoenix returns with their next full length, Alpha Zulu, due out 11/4/2022. This follows their 2020 single "Identical,'' which went #1 at AAA radio, from the Motion Picture "On The Rocks". The project was recorded during the height of the pandemic in Paris, at the iconic Louvre museum. Phoenix are set to perform at festivals like Primavera Sound (Barcelona), We Love Green (Paris) and Austin City Limits (Texas) and will embark on a full headline tour in the US, UK, and EU in Sept 2022. The band has seen over 1.5B+ streams across their catalog, and have previously headlined Coachella, Governors Ball, Primavera Sound, Austin City Limits, and more. They've performed on Saturday Night Live, The Tonight Show with Jimmy Fallon, amongst others.

3 Feet High and Rising is the debut studio album by hip hop trio de la Soul and was released on March 3, 1989. It marked the first of three full-length collaborations with producer Prince Paul, which would become the critical and commercial peak of both parties. Critically, as well as commercially, the album was a success. It contains the singles, "Me Myself and I", "The Magic Number, " "Buddy, " and "Eye Know". The album title came from the Johnny Cash song "Five Feet High and Rising". It is listed on Rolling Stone's 200 Essential Rock Records and The Source's 100 Best Rap Albums. When Village Voice held it's annual Pazz & Jop Critics Poll for 1989, 3 Feet High and Rising was ranked #1. It was also listed on the Rolling Stone's The 500 Greatest Albums of All Time. Released amid the 1989 boom in gangsta rap, which gravitated towards hardcore, confrontational, violent lyrics, de la Soul's uniquely positive style made them an oddity beginning with the first single, "Me, Myself and I". Their positivity meant many observers labeled them a "hippie" group, based on their declaration of the "D.A.I.S.Y. Age" (Da. Inner. Soul. Yall). Sampling artists as diverse as Hall & Oates, Steely Dan and The Turtles, 3 Feet High and Rising is often viewed as the stylistic beginning of 1990s alternative hip hop (and especially jazz rap).

Taylor Swift’s new studio album Midnights is available everywhere on October 21st. It’s a collection of music written in the middle of the night, a journey through terrors and sweet dreams. The floors we pace and the demons we face - the stories of 13 sleepless nights scattered throughout Taylor’s life.

Alvvays' third album, the nervy joyride that is the compulsively lovable Blue Rev, doesn't simply reassert what's always been great about Alvvays but instead reimagines it. They have, in part and sum, never been better. There are newly aggressive moments here-the gleeful and snarling guitar solo at the heart of opener "Pharmacist," or the explosive cacophony near the middle of "Many Mirrors." And there are some purely beautiful spans, too-the church- organ fantasia of "Fourth Figure," or the blue-skies bridge of "Belinda Says." But the power and magic of Blue Rev stems from Alvvays' ability to bridge ostensible binaries, to fuse elements that seem antithetical in single songs-cynicism and empathy, anger and play, clatter and melody, the soft and the steely. The luminous poser kiss-off of "Velveteen," the lovelorn confusion of "Tile by Tile," the panicked but somehow reassuring rush of "After the Earthquake."In October 2021, when they arrived at a Los Angeles studio with fellow Canadian Shawn Everett, he urged them to forget the careful planning they'd done and just play the stuff, straight to tape. On the second day, they ripped through Blue Rev front-to-back twice, pausing only 15 seconds between songs and only 30 minutes between full album takes. And then, as Everett has done on recent albums by The War on Drugs and Kacey Musgraves, he spent an obsessive amount of time alongside Alvvays filling in the cracks, roughing up the surfaces, and mixing the results. This hybridized approach allowed the band to harness each song's absolute core, then grace it with texture and depth.

Blood Money is etched. It’s scratched out in bold, dark lines, with marimba, trumpet, and bass clarinet and contains some songs of Tom Waits’ most memorable melodies. The songs are declarative, sardonic, unforgiving, musical dispatches, from the bottom of the heap. “Blood Money is flesh and bone, earthbound,” said Waits. “The songs are rooted in reality: jealousy, rage, the human meat wheel...They are more car- nal. I like a beautiful song that tells you terrible things. We all like bad news out of a pretty mouth. I like songs to sound as though they’ve been aging in a barrel and distressed.”

After a thirty eight year hiatus, the rejuvenated band have just completed putting the finishing touches to the first Altered Images music since the album “Bite” was released in 1983. It’s an upbeat and contemporary sounding album which sounds like a natural progression of the Altered Images journey and sound, all topped with the instantly recognisable vocals of Clare Grogan. The album is produced by former Altered Images band member and acclaimed producer Stephen Lironi and features 12 songs that Clare Grogan has co-written with Stephen, Bernard Butler and Bobby Bluebell. The celebrated Scottish band fronted by singer Clare Grogan started life as a post-punk band, winning Best New Group at the NME Awards before becoming one of the most recognisable pop cover stars of the 1980s with six UK top 40 hits between the years of 1981-1983, including the massive Top 10 singles “Happy Birthday” (#2), “I Could Be Happy” (#7) and “Don’t Talk To Me About Love” (#7), all lifted from their three Top 20/Top 30 albums released in the same time frame (two selling Silver).

Chaos in Bloom, arriving August 12th, 2022 via Warner Records. Marking the first album of their career to be produced by frontman John Rzeznik, the record finds the band at the top of their game and continuing to constantly evolve just as they have for nearly four decades together. Consisting of 10 tracks, Chaos in Bloom is an album of biting sarcasm, stadium-ready choruses, and the type of spear-sharp songwriting that’s led them to becoming one of the most influential alternative rock groups of all time.

While Chaos in Bloom isn’t necessarily an album borne out by the pandemic, many of the tracks reflect on all of the things in daily life that became amplified while everyone was isolated from one another and sequestered at home. “Chaos in Bloom reminded us how special this whole thing is and to cherish the relationships that we have together,” says Rzeznik about the album. “Where we’ve been, and where we’re going.” Oscillating from personal reflections on the state of the world to societal commentaries, the songs on the album grapple with observations about our dystopian modernity while searching for optimism and pushing for a more empathetic world. “I’ve been trying to have a relationship with the bigger picture,” adds bassist and songwriter Robby Takac, “and refining happiness and what it means from that perspective.”

To record the album, Rzeznik and Takac retreated to Dreamland Studios just outside Woodstock, New York during the pandemic. An environment as remote as it is rich with historic rock music roots, the location proved to be the perfect setting for clearing the noise and creating such a record, which carries a true live quality that the band captured by blending vintage instruments and gear with new-age recording processes and techniques.

From “Taxman” to “Tomorrow Never Knows,” The Beatles’ REVOLVER has been newly mixed by producer Giles Martin and Sam Okell, and sourced directly from the original four-track master tapes with audio brought forth in stunning clarity with the help of cutting-edge technology developed by the award-winning sound team at Peter Jackson’s WingNutFilms Productions Ltd.  Now available on 180g vinyl.

Limited 180gm metallic gold colored vinyl LP pressing. 20th Anniversary Edition. "Alice" is the 14th studio album by Tom Waits, originally released in 2002. The album contains most songs written for the play Alice. The adaptation was directed by Robert Wilson, who Waits had previously worked with on the play The Black Rider, and originally set up at the Thalia Theatre in Hamburg in 1992. The play has since been performed in various theatres around the world.

Introducing QUANDO L'AMORE E SENSUALITA by Ennio Morricone, the fourth release in the MORRICONE SEGRETO series. The soundtrack is one of the undiscovered gems in Morricone's catalog. Newly remastered, this album features eleven previously unreleased tracks and marks the 50th-anniversary of the film's release. With its tonal experiments and compositional complexity, it shows the most obscure, dark-tinged, and psychedelic side of the Maestro and his unbridled creativity.

“Lovage” is defined as “an herb that is said to be a benefit for relieving abdominal pains due to gastrointestinal gas…also touted to reduce flatulence when consumed as a tea.” But when placed in the able hands of sonic mastermind Dan “The Automator” Nakamura, recording under the guise of musical lothario Nathaniel Merriweather, the result is a concept album of “music to make love to your old lady by.”

This album was created in Los Angeles and London and is influenced by the increasing uncertainty and instability in the world. A pandemic, new wars in Europe, massive protests & riots, an attempted insurrection, Western democracy wavering, rising authoritarianism, wildfires and natural disasters and the destabilisation of the global order all informed Will Of The People. It has been a worrying and scary time for all of us as the Western empire and the natural world, which have cradled us for so long are genuinely threatened. This album is a personal navigation through those fears and preparation for what comes next.

The first-ever authorized and in-depth archive in Blondie’s history, a rarity for a band almost 50 years into their career with 40 million records sold. Against The Odds: 1974-1982 features 124 songs (36 previously unreleased) remastered from the original analog tapes and cut at Abbey Road Studios. Super Deluxe Collector’s Edition presents their first 6 albums expanded to include over 4 dozen demos, alternate versions, and outtakes - plus, a 120-page discography and a 144-page hardback book. 10 LPs/10” LP/7” Single.

R.E.M. - "Chronic Town" - 40th Anniversary Edition of the debut EP from R.E.M. featuring "Gardening At Night," "Wolves, Lower," and more. Available on a double-sided picture disc featuring the album cover's iconic gargoyle and 1982 image of the band. Indie Exclusive.

To coincide with the band celebrating their 50th anniversary this year, Roxy Music’s career-encompassing collection from 2001 is available for the first time on vinyl. Containing all of their classic singles including “More Than This,” “Jealous Guy,” “Love Is the Drug,” “Virginia Plain,” and classic album cuts, it’s a definitive testament to one of the most influential and daring artist catalogs of all time. This beautifully presented 2 LP set includes enhanced artwork and full song lyrics.

Over the course of the last two decades, Of Montreal's creative force, Kevin Barnes, has been wowing fans with their vast catalog of endlessly fascinating pop and mesmerizing live shows. Barnes' songwriting and production aesthetic has since become iconic in the industry and has garnered massive critical acclaim in publications such as Rolling Stone, The New York Times, NPR, and Pitchfork, who described the band's album, Hissing Fauna, Are You The Destroyer? as "ceaselessly fascinating and inexhaustibly replayable," as well as ranking it as the #5 album of the year. Barnes' influence on pop music is undeniable, with multiple late night TV appearances, including The Late Show With David Letterman and Late Night with Jimmy Fallon, as well as brilliant collaborations with the likes of Solange, Janelle Monáe, Jon Brion, and others. The band has also performed across the globe, with festival appearances at Coachella, Sasquatch!, Pitchfork Music Festival and others, as well as hundreds of millions of streams worldwide. On Of Montreal's latest album, Freewave Lucifer f ck f ck f ck, Barnes continues to push the boundaries of what pop music can be. On songs like "Marijuana's A Working Woman," Barnes revisits themes of psychedelia using pulsating synths over their instantly recognizable bass playing. The album also touches on aspects of gender fluidity and is a fascinating look at what makes Barnes one of the most prolific and creative songwriters making music today. "An astonishingly good late-period record from Of Montreal that's as uncomfortably savage in it's depiction of breakup psychology as it is relentlessly catchy." -Pitchfork (8.7 Best New Music - Hissing Fauna, Are You The Destroyer?)"The thesaurus-loving psychedelic chameleons return with what might be the glammiest groove since the late Marc Bolan shimmied on to the next dimension." -Rolling Stone on Aureate Gloom"[Lousy With Sylvianbriar] is one of the most memorable, lasting, and relatable albums in Of Montreal's extensive catalog, and easily one of the best." -AllMusic"... every year or so Of Montreal is going to release a new full-length of mind-bending glam-punk decadence that sort of blows everything else away." -Paste

VIVA LAS VENGEANCE shows a change in process for frontman/songwriter Brendon Urie, having cut everything live to tape in Los Angeles alongside his friends and production partners, Jake Sinclair and Mike Viola. The cinematic musical journey is about the fine line between taking advantage of your youth, seizing the day and burning out. The songs take an introspective look into his relationship with his decade plus career including growing up in Las Vegas, love, and fame.

Following his triumphant performances at the 2022 Coachella Music and Arts Festival, Danny Elfman delivers Bigger.Messier., an ambitious double-album collection of remixed and reimagined tracks from his highly acclaimed Big Mess album. This sprawling, 23 track collection (available on 2 LP or 2 CD) features tracks reworked by some of the most groundbreaking and subversive artists around today. Bigger.Messier. views the Grammy and Emmy Award-winning composers songs through the lens of luminaries from diverse sides of the music business, including Trent Reznor, Iggy Pop, Squarepusher, and Ghostemane. Elfman once again has achieved a kind of artistic liberation on the record that had been eluding him for decades, and connecting him to brand new audience. Born and raised in southern California, Elfman began his career as part of a surrealist, avant-garde musical theater troupe known as The Mystic Knights of Oingo Boingo. The group would eventually morph into the critically acclaimed rock band Oingo Boingo, whose high-energy performances and genre-bending sound garnered them a fanatically devoted cult following in the 1980s and ’90s. Among the group’s early fans was fledgling director Tim Burton and Paul Reubens (aka Pee-wee Herman), who enlisted Elfman to score their first feature film, Pee-wee’s Big Adventure. The collaboration would prove to be the start of a long and fruitful partnership for Elfman and Burton, with Elfman going on to score a string of iconic Burton features like Batman, Beetlejuice, Big Fish, Edward Scissorhands, and The Nightmare Before Christmas. To date, Elfman has scored more than 100 films.

On September 15, 1957, John Coltrane went into Rudy Van Gelder's living room studio in Hackensack, New Jersey and recorded his first great masterpiece: Blue Train. It would be the legendary saxophonist's sole album as a leader for Blue Note, a locomotive five-track album fueled by the bluesy title track that featured a dynamic six-piece band with Lee Morgan on trumpet, Curtis Fuller on trombone, Kenny Drew on piano, Paul Chambers on bass, and Philly Joe Jones on drums. To mark the 65th anniversary of the album's recording, Blue Train will be released in two special editions as part of Blue Note's acclaimed Tone Poet Audiophile Vinyl Reissue Series: a 1-LP mono pressing of the original album and a 2-LP stereo pressing of Blue Train: The Complete Masters which includes a second disc of alternate and incomplete takes, four of which have never been released before, and none of which have been available previously on vinyl. The 2-LP set comes with a bound booklet featuring session photos by Francis Wolff and an essay by Coltrane expert Ashley Kahn.

Both Tone Poet Vinyl Editions were produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in deluxe gatefold tip-on jackets.

FEATURES:

• 180g Vinyl
• Double LP
• Stereo
• Second LP of Alternate & Incomplete Takes - First Time on Vinyl
• Four Previously Unreleased Tracks
• Bound Booklet - Session Photos by Francis Wolff & Essay by Coltrane Expert Ashley Kahn
• Tone Poet Audiophile Vinyl Reissue Series
• Mastered by Kevin Gray at Cohearent Audio
• Mastered from Original Analog Master Tapes
• Produced by Joe Harley
• Pressed at RTI
• Deluxe Gatefold Tip-On Jacket

DEETS:

• Tone Poet Audiophile Vinyl Reissue Series.
• Mastered by Kevin Gray at Cohearent Audio.
• Mastered Directly from the Original Analog Master Tapes!
• Pressed At RTI.

MUSICIANS:

Paul Chambers

Philly Joe Jones

Kenny Drew

John Coltrane

Curtis Fuller

Lee Morgan  

Also Available: Mono LP and 2CD

A new studio album of songs written, recorded and produced by visionary musician and artist BRIAN ENO – featuring his vocals on 8 of the 10 recordings.

FOREVERANDEVERNOMORE is Eno’s first studio album in six years and features appearances from longstanding collaborators Leo Abrahams, Roger Eno and Peter Chilvers, alongside Cecily Eno, Clodagh Simonds, Darla Eno and Jon Hopkins.

The album includes studio recordings of “There Were Bells” and “Garden Of Stars,” compositions that Eno penned to perform as part of his first live performance in 11 years at the Acropolis back in August 2021, it also includes “Making Gardens Out Of Silence” that features as part of the ongoing Serpentine interdisciplinary program, BACK TO EARTH.

Entering Heaven Alive is the fifth studio album from Jack White, founding member of The White Stripes, The Raconteurs, and The Dead Weather. True to his DIY roots, this record was recorded at White's Third Man Studio throughout 2021, mastered by Third Man Mastering, and released by Third Man Records.

After a decade making the most of improvised recording spaces set in warehouses, trailers and lofts, Japanese Breakfast's fourth album, For Melancholy Brunettes (& sad women), marks the band's first proper studio release. Produced by Grammy Award winner Blake Mills, the record sees front-woman and songwriter Michelle Zauner pull back from the bright extroversion that defined it's predecessor Jubilee to examine the darker waves that roil within, the moody, fecund field of melancholy, long held to be the psychic state of poets on the verge of inspiration. The result is an artistic statement of purpose: a mature, intricate, contemplative work that conjures the romantic thrill of a gothic novel.For Melancholy Brunettes follows a transformative period in Zauner's life during which her 2x GRAMMY nominated breakthrough album Jubilee and her bestselling memoir Crying In H Mart catapulted her into the cultural mainstream, delivering on her deepest artistic ambitions. Reflecting on that success, Zauner came to appreciate the irony of desire, which so often commingles bliss and doom. "I felt seduced by getting what I always wanted," she says. "I was flying too close to the sun, and I realized if I kept going I was going to die."The plight of Icarus and other such condemned ones lends For Melancholy Brunettes it's most persistent theme, the perils of desire. Like light dispersed, it's spectral parts take the album's characters through cycles of temptation, transgression and retribution. On "Orlando in Love" - a riff on John Cheever's riff on Orlando Innamorato, an unfinished epic made up of 68 ½ cantos by the Renaissance poet Matteo Maria Boiardo - the hero is a well meaning poet who parks his Winnebago by the sea and falls victim to a siren's call, his 69th canto (even in the lofty realm of classical myth Zauner has a soft spot for innuendo). "Honey Water" plumbs the quiet rage of a woman married to an unfaithful man, watching him cede again and again to lust like a base insect perpetuating it's own demise.Sadness is indeed the dominant emotional key of this record, but it is sadness of a rarified form: the pensive, prescient sadness of melancholy, in which the recognition of life's essentially tragic character occurs with sensitivity to it's fleeting beauty. Zauner finds space enough inside it for glimmers of hope. They are the consolations of mortals that poets before her have called out to and that poets after will continue to rediscover: love and labor, and though they run like tonic resolutions through the record's many episodes, they sound most saliently on it's final song, "Magic Mountain," an engagement with Thomas Mann's famous novel of the same name. For her, making any work feels like scaling a mountain, but from the perch of For Melancholy Brunettes, she surveys the future.

Because of their mix of hellified gangster shit and progressive compositions, I once jokingly called Clipping "Deathrow Tull." Well, it's not a joke anymore. While Clipping's last few projects have been record-long concepts like classic prog rock, their cyberpunk-infused new album Dead Channel Sky is mixtape-like, a carefully curated collection in which every track is a love letter to a possible present. It sounds crisp and classic at the same time. When something strikes us as retrospective and futuristic at the same time, it's a reminder of how slipshod our present moment truly is. Juxtaposing high-tech, corporate command-and-control systems (the "cyber") with the lo-fi, D.I.Y. underground (the "punk"), cyberpunk proper starts in 1982 and ends in 1999, from Blade Runner to The Matrix. Concurrently, hip-hop matured, went through it's Golden Era, then melted into further forms: it went from from Fab 5 Freddy to Public Enemy to Missy Elliott. While other genres flirted with it, hip-hop was fickle and fey. Rap and rock birthed mutant offspring maligned by most, and hip-hop's relations with electronica rarely fared any better.What if someone explicitly merged hip-hop and cyberpunk - those twin suns of the '80s and '90s - into one set and sound? After all, both movements are the result of hacking the haunted leftovers of a war-torn culture that's long since moved on.On Dead Channel Sky, Clipping texture-map the twin histories of hip-hop and cyberpunk onto an alternate present where Rammellzee and Bambaataa are the superheroes of old; where Cybotron and Mantronix are the reigning legends; where Egyptian Lover and Freestyle are debated endlessly, and Ultramag and Public Enemy are the undeniable forefathers; where the lost movements of 1980s and the 1990s are still happening: rave, trip-hop, hip-house, acid house, drum & bass, big beat-the detritus of a different timeline, the survivors of armed audio warfare. Clipping are no strangers to sci-fi: two of their records were nominated for Hugo Awards (one of science fiction's top literary prizes), and a novella spun-off from their music was nominated for a third. On Dead Channel Sky, Clipping's co-conspirators include everyone from the guitarist Nels Cline, to their labelmates Cartel Madras, rapper/actor Tia Nomore, and wordsmith Aesop Rock. Diggs is known for intricate lyrics and rapid-fire rapping, and the tracks that Snipes and Hutson build in the background are no less complex. All of the above serves to give us a glimpse of an adjacent possible present, where hip-hop and cyberpunk are one culture.Binary stars are often perceived as one object when viewed with the naked eye. Like those twin sun systems, it'll take some special equipment and some discerning attention to pull the stars apart on this record. As Diggs barks on the fire-starting "Change the Channel": Everything is very important!

Coheed and Cambria presents their forthcoming album, The Father of Make Believe, out via Virgin Music Group. The new full-length marks the 10th studio album from the New York band and continues the narrative of The Amory Wars / Vaxis universe, following their 2022 album, Vaxis Act II: A Window of the Waking Mind.

Grammy Award-winning singer/songwriter Jason Isbell is one of the most respected and celebrated artists of his generation. The North Alabama native possesses an incredible penchant for identifying and articulating some of the deepest, yet simplest, human emotions, and turning them into beautiful poetry through song. Isbell sings of the everyday human condition with thoughtful, heartfelt, and sometimes brutal honesty. After releasing multiple albums and touring the world with his band, the 400 Unit, Isbell will begin 2025 with a change of pace. He will hit the road on his own, performing solo this winter and early spring at historic music venues across Europe and the US. In conjunction with these much anticipated shows, Isbell will be releasing a new album featuring only his voice and an acoustic guitar, an all-mahogany 1940 Martin 0-17. These recordings further demonstrate his pure talent as a songwriter and musician. Produced by Gena Johnson and Jason Isbell, and recorded at Electric Lady Studios in NYC, ‘Foxes in the Snow’ is set to be released on March 7th.

The highly anticipated final Juice WRLD album has arrived. The Party Never Ends as Juice rounds out his legacy with a final gift. The Party Never Ends finds Juice diving down different alleyways of his colorful, complex psyche. With features from Eminem, Fall Out Boy, Nicki Minaj, Offset, The Kid LAROI, and production from benny blanco, Nick Mira, and Cashmere Cat among many more collaborators, the posthumous set is a fitting celebration of a once-in-a-generation artist. See the tracklist below.

Noah Kahan - Live From Fenway Park - Vinyl 2 LP

Grammy-nominated Noah Kahan celebrates an incredible season of accolades by releasing a live album of his high point thus far - selling out 2 nights at his New England hometown Fenway Park, which saw over 70,000 fans in attendance with special guests Gracie Abrams, The Lumineers and more! Noah debuts many songs on tour as he writes towards his next album. This live album sees the first release of "Pain Is Cold Water," a song so new that Noah hasn't even recorded it yet. 2 LP set.

Side A:
1. Dial Drunk
2. New Perspective
3. Everywhere, Everything (feat. Gracie Abrams)
4. Forever

Side B:
5. Pain Is Cold Water
6. Maine
7. Paul Revere
8. All My Love
9. Your Needs, My Needs
10. You’re Gonna Go Far

Side C:
11. Homesick
12. Growing Sideways
13. She Calls Me Back
14. Orange Juice

Side D:
15. Northern Attitude
16. Mess
17. The View Between Villages
18. Stick Season

Indie/D2C Exclusive Recycled Clear Vinyl Oceanside Countryside is the latest of Neil Young's great “lost” albums to be released as part of his Analog Original Series. The album was recorded from May to December 1977, preceding the release of Comes A Time in 1978. The two albums share the same country/folk sound, and three songs (“Goin’ Back”, “Human Highway” and “Field of Opportunity”) appear on both albums. The vinyl release of Oceanside Countryside includes some tracks that are on the CD of the same name in Neil Young’s Archives Vol. III. However, this track list is how Oceanside Countryside was originally planned to be released. Recorded on tape, these are the original mixes done at the time of recording. All the songs on “Oceanside” are performed solo by Neil Young. On “Countryside,” Young is joined by a band of his friends: Ben Keith (Steel Guitar), Rufus Thibodeaux (fiddle), Karl T. Himmel (drums), Joe Osborne (bass). On “The Old Homestead” Tim Drummond plays bass and Levon Helm plays drums. “Pocahontas” is Young solo. Please note that while the songs on Oceanside Countryside appear on Archives Vol.III, the versions are not always the same and the track list is the running order for the original Oceanside Countryside album. On this analog original vinyl release, the versions of “Lost in Space,” “Captain Kennedy” and “The Old Homestead” are from Hawks & Doves in 1980. “Sail Away”, “Goin’ Back”, “Human Highway”, “It Might Have Been”, and “Pocahontas” are the same versions as on Archives Vol. III  in digital. “Field of Opportunity” and “Dance Dance Dance” are the original versions that have Young on backing vocals instead of Nicolette Larson as they appeared on Archives Vol.III.

TRACKLIST: Side A: Oceanside 1.       Sail Away 2.       Lost in Space 3.       Captain Kennedy 4.       Goin’ Back 5.       Human Highway Side B: Countryside 1.       Field of Opportunity 2.       Dance Dance Dance 3.       The Old Homestead 4.       It Might Have Been 5.       Pocahontas

Lola Young - "This Wasn't Meant For You Anyway" [Clear LP] "Here is my first-born child, a fuck you to all my exes, and basically me just trying to figure out some shit openly and honestly on record. First of many and if you don't like it, then this wasn't meant for you anyway." - Lola Young This Wasn't Meant For You Anyway marks a remarkable shift in Lola's sound as an artist. Recorded in LA and produced by friend and collaborator Solomonophic (Remi Wolf, BROCKHAMPTON, Dominic Fike), This Wasn't Meant For You Anyway is a multi-faceted, fearless concept. As irresistible as it is unexpected, Lola's album is crackling with kinetic energy and lyrically fueled by rage, passion, narrative flair and comedy derision. A contemporary break-up album, This Wasn't Meant For You Anyway encapsulates the sound of what it means to be young and in constant romantic chaos. Released in June 2024, the album is now available on clear vinyl. Limited Edition. Indie Exclusive. EXPLICIT

Billboard Heart, the new album by Deep Sea Diver, immediately puts the Seattle band in the company of St. Vincent, TV on the Radio, and Flock of Dimes, bands that have found newly ornate and magnetic ways to make indie rock by discarding notions of how it must sound or what it must say. It's their fourth album and first for Sub Pop, and it is a coup, a triumph over self-doubt, transforming failure into an opportunity to find new freedom, belief, and strength. In the middle of July 2023 in a Los Angeles studio, Deep Sea Diver mastermind Jessica Dobson took a guitar solo but somehow felt nothing. Just days earlier, her Seattle band played a series of semi-secret shows for devotees as de facto rehearsals for a new record. The sets had gone well, but the new songs seemed muddled, Dobson's conviction lost somewhere in the 1,000 miles between Southern California and the home studio she shares with partner, drummer, and frequent cowriter Peter Mansen. On that first night in Los Angeles, she broke down, wondering what she was doing there, and pondering how to fix it. Deep Sea Diver retreated home without an album. Did they need to scrap it, to begin again with new material? Not at all: Following a brief break, Dobson found a renewed sense of self, a trust in her vision for her band and songs and her ability to capture them. Over dinner with longtime collaborator Andy Park, a humbling confession that she needed help inspired Dobson to reimagine and reinvigorate Deep Sea Diver. This revelation set the stage for the power and brilliance of Billboard Heart, Three years before Dobson's galvanizing dinner with Park, Deep Sea Diver issued it's third album, 2020's Impossible Weight, via the colossal indie imprint, ATO. It was a significant step up, and earned the band a groundswell of exposure and a spot on Billboard charts. But the success caused Dobson to doubt her impulses, to wonder what an idea's impact or reception might be as much the strength of the idea itself. Moments of domestic creation, with her at the piano and Mansen on guitar in their Seattle living room, forged a path forward, and reinvigorated the pair's songwriting partnership. From end to end, the material on Billboard Heart is astonishing. The title track is the one song Deep Sea Diver actually finished in Los Angeles. It's a radiant and magnificent thing, the billowing synths of Elliot Jackson and tunneling pedal steel of Greg Leisz bolstering an anthem for fearlessly advancing into the future. "Emergency" links hardcore's vim to electroclash's instant allure with Dobson's captivating vocals and guitar work in the spotlight. Tender and vulnerable, "Tiny Threads" is a sweeping anthem for anyone trying to hold anything together-life, love, themselves. "If it haunts me, let it haunt me," Dobson sings softly over a stillness framed only by bass and noise. She let's her guitar careen into feedback, then steadily sculpts it into something tuneful. It's a lifetime of anxiety and sublimation, crystallized into 10 seconds. Billboard Heart feels that way at large.Billboard Heart emerged when Dobson trusted her instincts, a personal breakthrough that prompted an artistic one. It is, in turn, the best Deep Sea Diver album yet, a defiant and brilliant exclamation mark at the end of a long period of wandering.

Brat green double vinyl. Gatefold with inner and outer die cut hole on both sleeves. Lyric book. new gatefold image. sticker inside shrink wrap.

Hailing from northeast England, Fender is a British songwriter with a penchant for euphoric, hard-hitting guitar anthems. Bursting onto the scene with a BRITs Critics’ Choice win in 2018, his first two albums, Hypersonic Missiles (2019) and Seventeen Going Under (2021), both debuted at Number 1 on the UK’s Official Albums Chart and earned Platinum status. With over two billion global streams, Fender has headlined stadiums in Newcastle, toured arenas across the UK and Ireland, and headlined at major festivals like Reading/Leeds, while also supporting icons like The Rolling Stones and Bruce Springsteen. If Seventeen Going Under – Fender’s sophomore album and second to debut at Number 1 on the UK’s Official Albums Chart – was his “coming of age” album, his forthcoming work is his next step – colorful stories and observations of everyday characters living their everyday, but often extraordinary, lives. Sam produced People Watching alongside bandmates Dean Thompson and Joe Atkinson over two years, working first in London in 2023 with producer Markus Dravs, and then earlier this year in Los Angeles with Granduciel. See below for track listing.

EMPIRE, the nation's leading independent record label, recently teamed up with the NBA 2K video game to provide the soundtrack for Season 2 of it's series in October 2024. The soundtrack was a natural pairing of the two iconic Bay Area based companies to push culture forward through music, sports, and gaming. The 2 LP Box set, which includes music from the likes of Larry June, Key Glock, Money Man, LUCKI, Asake & Central Cee, 310babii and more is housed in a premium box with glossy, hardwood floor print on the outside, and a basketball textured inner box will also include a mini-satin championship banner, a custom basketball keychain, and virtual currency for in-game purchases.

“Powerhouse Duo” (TODAY) The War And Treaty return with their new album Plus One. The album includes "Can I Get An Amen", "Leads Me Home, "Stealing A Kiss", "Called You By Your Name" and “Carried Away” "Every song on this album deals with some aspects of him and some aspects of her and some aspects of us. The ideal of sharing space with someone can be challenging no matter how short or long. We’ve had moments of doubt, moments of clarity, moments of regret and moments of solid faith." - Michael and Tanya

Short n’ Sweet showcases the scintillating spirit of Sabrina Carpenter, the pocket-sized popstar with a larger than life artistic presence. One gold album & multiple platinum singles later, it’s no wonder that “Espresso,” the debut single from the forthcoming album, has it all: lyrics that make you giggle and blush and songwriting that makes you wish you’d thought of it first. Deluxe Edition CD featuring 5 bonus tracks with 24-page booklet included.

After an amazing summer of festival performances, and award shows, Tyla is back with a deluxe vinyl version of her debut album, TYLA. TYLA + will be released on 2/14/25 and will include 3 new tracks. "PUSH 2 START" is our focus track that is a record with Tyla's signature Pop-piano sound, "TJO", (which is a South African slang term) is a super piano cultural song, and "BACK TO YOU", which is a more R&B leaning song. This brand-new vinyl version will be pressed on coke bottle clear vinyl with etchings near the run out groove on two sides.

Alessia Cara - "Love & Hyperbole" / Grammy Award-winning Canadian pop star Alessia Cara releases her 4th studio album, Love & Hyperbole. Alessia has amassed over 12.5B streams across her career and has also secured the #1 spot at U.S. Pop Radio across 3 different singles!

Open Wide marks a giant leap forward for Irish four-piece Inhaler. The album, recorded with producer Kid Harpoon, is the sound of a band stepping out of their comfort zone. Including the lead single “Your House,” Open Wide is 13 songs that feels unique – a guitar-driven pop album unlike any other, solidifying their status as one of the most exciting young bands today.

After a decade releasing music as Years & Years, Polari is literally Olly Alexander talking the talk. He bonded with Danny L Harle over a mutual love of 80s club music, that period of uncompromising, avant-garde pop which nonetheless snuck into the mainstream. Polari remained a north star throughout the creative process, a secret language likewise lacking widespread recognition but still influential in plain sight. And after a long history of secrets and subtext, Polari is ultimately an open and universal pop record about those needs that transcend time, sexuality, and self: what it means to belong, to be loved, and (Polari literally translates as “to talk”) to connect.

Universe Room is the eighteenth Guided by Voices album in ten years and packs a vast mix of energy levels and sounds into seventeen diverse tracks in less than forty minutes. The new record ventures into truly surprising territory, where barely any song segments and choruses are revisited and fidelity daringly shifts between lo-fi and hi-fi. "I wanted to create, hopefully, an experience, kind of a wild ride, where the listener would want to hear it multiple times in order to grasp all the sections and fields of sound to discover something new with each listen," says Robert Pollard. "I trimmed down the songs so that there wasn't a lot of repetition, so you get a lot of sections that happen only once or twice."Universe Room embodies a realm of new horizons for Guided by Voices, who continue to redefine and expand as they blast off to unpredictable worlds.

This Deluxe Edition features 9 CD / DVDs (in 3 gatefolds and 1 trifold; all jacket interiors feature photography by Michael Schmelling)(original studio album plus alternates, outtakes and demos; and the complete October 2004 concert at the Wang Center in Boston)4 CDs (the complete Fundamentals, housed at the back of a 48-page full-color hardcover book [with previously unpublished photos and a new in-depth recording history of the album by Grammy winning writer Bob Mehr]. All encased in 2-piece box (slipcase in slipcase), holographic foil type on spineFor the A Ghost Is Born recording, Wilco was Jeff Tweedy, John Stirratt, Leroy Bach, Glenn Kotche, and Mikael Jorgensen; Jim O'Rourke, who mixed the band's previous release Yankee Hotel Foxtrot, co-produced the album with Wilco. Leroy Bach left Wilco at the completion of the sessions and the band announced the addition of two new members: Pat Sansone and Nels Cline. Sansone and Cline toured with Wilco to promote AGIB and that lineup has remained unchanged since 2004. As Tweedy said to Mehr for his new liner note, "Making that record, and then finding this lineup, that was the start of something-of having a band that can play anything. That's why, twenty years later, we're still here and still going. "Wilco first began sessions for what would become A Ghost Is Born in early 2002 at Chicago's Soma E. M. S. , where they had mixed Yankee Hotel Foxtrot. Much of the album was tracked live in the studio with O'Rourke and engineer Chris Shaw. They also reunited there with engineer and soon-to-be-bandmate Mikael Jorgensen. At Soma, the band began sketching out music using Tweedy's notebooks of lyrics, poetry, and prose. Mehr notes: "In between more traditional song tracking, the group would engage in a series of conceptual improvisations in the studio. These musical experiments, broadly known as 'Fundamentals'... were part of what Kotche said was 'an attempt to search for a new group identity. To see what we could make this band into. '"In the fall of 2003, the band relocated to New York to finish recording at Sear Sound. "It seemed like the band needed to get out of Chicago, get out of the working mode they'd been in, and only be thinking about making a record," O'Rourke told Mehr. There, playing together in the corner of a large studio, the album began to take it's final shape. Emerging from a period of addiction and rehab, Tweedy discussed how he feels about A Ghost Is Born in retrospect. As he told Mehr, "I was worried the album was going to feel like something dark and not me anymore. But the album was ahead of me as a person. It was the part of me that I was trying to preserve-enthusiastic and furious about the world, as well as open and loving. I reached that in the music, before I could get there emotionally on my own. "

Hurry Up Tomorrow is the upcoming sixth studio album by the Canadian singer-songwriter The Weeknd, scheduled to be released through XO and Republic Records. It will serve as the final part of an album trilogy that began with After Hours (2020) and continued with Dawn FM (2022).

**we'll have your way shortly**

Columbia Records and Searchlight Pictures present ‘A Complete Unknown (Original Motion Picture Soundtrack)'on CD. Featuring 23 tracks recorded live from the film like “A Hard Rain's A-Gonna Fall,” “Like A Rolling Stone,” and “Girl From The North Country,” the soundtrack includes performances from Timothee Chalamet as Bob Dylan, Edward Norton as Pete Seeger, Monica Barbaro as Joan Baez, and Boyd Holbrook as Johnny Cash. Against the backdrop of a vibrant music scene and tumultuous cultural upheaval, an enigmatic 19-year-old from Minnesota arrives with his guitar and revolutionary talent, destined to change the course of American music. He forges intimate relationships with music icons of Greenwich Village on his meteoric rise, culminating in a groundbreaking and controversial performance that reverberates worldwide. Timothee Chalamet stars and sings as Bob Dylan in James Mangold's A COMPLETE UNKNOWN, the electric true story behind the rise of one of the most iconic singer-songwriters in history.

Gracie Abrams returns with the deluxe version of her sophomore album, The Secret of Us (Deluxe)released via Interscope Records. This is Gracie's most expansive body of work both sonically and narratively. Building onto a massive year for Gracie, she adds 4 new songs including fan favorite ‘That's So True'. Gracie's growth as a songwriter and vocalist is showcased in her most extroverted album yet, as she continues to work with longtime collaborator Aaron Dessner. A portion of these songs were also written with Gracie's best friend, Audrey Hobert. This album was written with the urgency with which you run home to detail every moment of a night to your friend, with her live experiences over the past year having deeply shaped the identity of this album.

GRAMMY-nominated recording artist GloRilla releases her highly anticipated debut album GLORIOUS. The star-studded affair includes features from Megan Thee Stallion, Latto, Sexyy Red, Kirk Franklin, Bossman Dlo, Fridayy, T-Pain, Muni Long, and Chandler Moore. The debut studio album comes after Big Glo trailblazed her way through the music industry with infectious hit records and high-profile collaborations that have won fans around the globe, including this year's Hot 100 hits "Yeah Glo!," "TGIF" and "Wanna Be" featuring Megan Thee Stallion."

‘Dua Lipa Live From The Royal Albert Hall’ features Dua’s greatest hits reimagined with The Heritage Orchestra, and a 14 person choir and 7 piece band. With spot gloss text detailing and a special die cut front cover, fans are able to swap the main album cover to one of 3 other images from the special show.

Double vinyl LP pressing. Back in print for the first time in over 20 years, the compilation assembles more than two hours of hard to find and unreleased Yo La Tengo music from 1988 - 1995. Some reflections on the material, excerpted from Ira Kaplan's original 'Genius + Love = Yo La Tengo' liner notes.

Ringo Starr releases a brand-new country music album, Look Up, produced and co-written by T Bone Burnett via Lost Highway Records. This stunning collection features 11 original songs, recorded this year in Nashville and Los Angeles. This album features Billy Strings, Molly Tuttle, Lucius, Larkin Poe, and Alison Krauss.

The War On Drugs, “one of the premier live bands of their generation” (Pitchfork), announce Live Drugs Again, via Super High Quality Records and Transgressive / Canvasback. In support of Live Drugs Again, the band will kick off their Zen Diagram North American co-headline tour with The National, with support from Lucius, on September 12th. Recorded on tour between February 2022 through December 2023 in America, UK, Europe and Australia, Live Drugs Again follows 2020’s Live Drugs and represents The War On Drugs at their ragged, righteous best. Bandleader Adam Granduciel comments, “Live Drugs Again chronicles the evolution of these songs from the studio to stages all over the world; documenting our continued growth as a live band. This series ensures that these versions, and some of our favorite moments on stage, will live on.” As Consequence so accurately hailed, “it’s hard to imagine a musical experience that’s more enveloping and uplifting.” This is hearing a band at its peak.

Childish Gambino - Atavista - Vinyl 2 LP

For years, Childish Gambino's Atavista hid in plain sight. When he released an unfinished version of the record on March 15, 2020, it spent just 12 hours on his website before he pulled it down. Reappearing on streaming a week later as 3.15.20, the project brought up almost as many questions as sparkling neo-soul anthems, which still sounded slicker than the average as raw cuts titled after timestamps.

Atavista is an ode to impermanence, never more directly than over the glimmering guitar of "Time" with Grande. ("One thing's for certain, baby/We're running out of time," they harmonize on the chorus.) But in Gambino's capable hands, Atavista also slows down to enjoy the view, the sonic equivalent of a luxe leather-interior BMW cruising an open California highway. "I did what I wanted to," he revels on closing track "Final Church." Atavista took many shapes over the years to reach a final form. In each warm refrain, tight sequence, and carefully chosen collaborator, Gambino demonstrates why some things are worth waiting for.

Steve Earle has a new album, Alone Again (Live) via Howe Sound Records/Missing Piece Records. The live album was recorded during his 2023 tour and features 15 of his most beloved songs including "Copperhead Road," "Guitar Town," "Galway Girl" and many more.

The Human Fear is the sixth studio album from Franz Ferdinand. Produced with Mark Ralph, who previously worked with the band on their 2013 album Right Thoughts, Right Words, Right Action, the album showcases Franz at their most immediate, upbeat and life-affirming, unashamedly going for the pop-jugular in classic Franz style. Recorded at AYR studios in Scotland, the 11 songs on The Human Fear all allude to some deep-set human fears and how overcoming and accepting these fears drives and defines our lives.